![]() ![]() ![]() At the same time, I don’t want my adjustments spreading into the blue fuel tank above, so I try setting the chroma sensitivity to maximum. The pipework has toned down rather nicely and now has more contrast and depth, and while the blue pained part of the motorcycle have darkened slightly, it’s not enough to need correcting. ![]() It proved quite difficult to find images that might benefit from reduced chroma sensitivity, but here’s one. I’ve added a control point to the green leaves of this bunch of narcissi, increasing the exposure, contrast and vibrancy (keep in mind that these adjustments are in different tabs in the U-point controls, so you don’t see them all at the same time). It looks OK, but the yellow petals are still quite dark and subdued. The issue here is that the control point is targeting the greens of the leaves but not the yellows of the petals – so if reduce the chroma sensitivity to zero, this brings in the yellow tones too. Now I could have achieved exactly the same thing by creating another control point over the yellow petals, which would have applied the same exposure and vibrancy settings to them – this time it would be targeting the yellow tones. ![]() So while the new chroma and luma sliders are interesting and often useful, they are often just another way of working.Drawing on a neural network that is trained using billions of image samples, DxO PhotoLab 6 now features DeepPRIME XD, DxO Wide Gamut, improved retouching tools and a revamped library system. ![]()
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